During the silver age of comic books, it seemed as though every hero
had a wet-nosed teenage sidekick.
Captain America had Bucky. Batman
had Robin. Superman had a whole family
(Superboy, Supergirl, and even Krypto the Superdog). The Flash eventually gained a sidekick with
the uninspired name Kid Flash. The list
goes on and on. And mostly, when you
hear fans talk about sidekicks, it's that they hate them. They're annoying saps who couldn't protect
themselves from an intergalactic snail invasion (as cool as that might be), and
whenever they die, the fans cheer and jeer appropriately.
When I heard that J. Michael Straczynski was releasing a series called
"Sidekick" through Image Comics, I was skeptical. What kind of story could he tell about a
sidekick that hadn't already been told?
Does the sidekick grow a spine, get a life, and strike out on his own? Is this a story about the sidekicks the fans
love to hate? Or is it something entirely
new and different, a take on sidekicks and their heroic, father-like
counterparts that we hadn't seen before?
Well, I've just finished reading "Sidekick" #1 for the third
time, and I can only say one thing: it's totally out of this world.
The story begins with your typical superhero comic situation--The Red
Cowl (the lead hero of Sol City) is busy fighting Sonic Master, and while he's
busy beating him into a pulp, Sonic Master's sound bomb is ticking away, ready
to destroy the city. Flyboy, Red Cowl's
sidekick and the focus of our story, grabs the bomb and flies high into Earth's
atmosphere, throwing the bomb into space, where it explodes safely. Flyboy has saved the day, and while Red Cowl
makes sure he gets all the credit in a press conference, we fast-forward to the
present day, where Barry Chase (Flyboy's alter-ego) is laying around in his
underwear in his apartment, smoking a cigarette and looking like ten miles of
bad road.
As the issue progresses, it switches back and forth between present-day
Barry's life and his past with Red Cowl, who is assassinated (in a John F.
Kennedy, motorcade-style fashion) during a celebratory parade for his saving
the city. When Flyboy checks the
rooftops, he finds a rifle, but no killer.
He also discovers that Red Cowl left him and his assistant, Melody, with
nothing, as he spent his vast fortune on gadgets, surveillance equipment,
vehicles, and secret laboratories that were in frequent need of rebuilding from
super villain attacks. In the present
day, Barry's struggling to make ends meet (his "Dreamstarter"
campaign to sponsor his heroic activities has only met $1,000 of its $100,000
goal) and struggling with the fact that no one takes him seriously as a real
hero since The Red Cowl's demise.
Add to this that Melody has hooked up with another man (hinting that
there might have been something between Barry and her in the past) and a rumor
that the Moonglow twins (some very beautiful and nasty-looking vixens) might be
responsible for Red Cowl's death, and you have yourself a great first issue
that shows a ton of promise and proves it can deliver on all fronts.
This was the first J. Michael Straczysnki comic book I'd ever read, and
I have to say that I'm very impressed. I
know the guy can write (I was an avid fan of his TV series "Babylon
5" for all five seasons), but because I'm not a huge fan of superheroes, I
never read any of his work on "Amazing Spider-Man" or
"Thor." With "Sidekick,"
Straczynski presents us with a dystopian superhero story that promises to consistently
kick Barry when he's down and put him through the wringer. He's already proven he can do that with this
first issue, and Barry is an easily identifiable character for many whose lives
have hit rock bottom. With the
combination of the realistic dialogue, the book-like feel of the characters,
and the seamless transitions from present to past and back again, Straczynski
proves there's nobody like him in the business today.
Tom Mandrake's art is perfectly suited to "Sidekick." His facial expressions, his natural-looking
musculature, and his realistic settings all fit the late-80's / early 90's
comic book era. Best known for his run
on DC's "The Spectre," Mandrake brings all of that knowledge and talent
to the table in "Sidekick," which is a very good thing. Hi-Fi's colors are some of the best in the
business, and he proves that here by making the days look brighter, the nights
look darker, and the heroes and villains look bigger and bolder. I've been a big fan of Hi-Fi's over the
years, and he totally nailed it with this one.
What else is there left to say about "Sidekick?" How about "go out and buy it!" Seriously, you won't find a better written,
drawn, and colored superhero book out there, and if you like your superhero
stories a little darker and a little edgier, than you won't be
disappointed. You can find
"Sidekick" at your local comic book shop or online at many fine
retailers, and if you would like a little more information on the comic, head
over to www.imagecomics.com and look it up.
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